Showing posts with label indie rock. Show all posts
Showing posts with label indie rock. Show all posts

Wednesday, January 18, 2012

The Listening Project - Arm's Way - Islands



I’m beginning to realize that a lot of Hypatia’s music (and by “Hypatia’s music” we should always already understand it to mostly “Hypatia’s ex’s music) is the sort of music that’s super awesomepants to write to, because you really don’t need to do much work to keep up with it.  This is not meant as a good or bad critique, I’m a lazy music listener, I’m totally ok with that.  But it is a trend that I’ve been noticing, and now that I’ve started back up with the Listening Project, it’s closer to the front of my mind.

I almost went to see Islands, right after I moved down to ATL, and who knows, perhaps I should have.  But given how shruggy I feel about Arm’s Way I don’t think I’ll loose any sleep over that decision.  But there’s a little local color for you.

This is a nice light album.  The sound is thin without being weak and the pace of most of the songs is up-beat.  It’s a toe-tapping kind of music.  Perhaps in the ears of someone wiling to do more work than I am with the whole “listening to music” thing can find more to say. 

Although, I think I just talked myself into really liking this album.

Favorite Track: “J’aime Vous Voire Quitter”
Least Favorite: “To a Bond”

Next up - Arular- M.I.A. (2005)

Tuesday, June 1, 2010

The Listening Project - All Hands on the Bad One - Sleater Kinney

Part 14 - All Hands on the Bad One - Sleater Kinney (2000, Kill Rock Stars)

I love this album.  I'm totally surprised that I hadn't originally put it on the old iPod, which means that I hadn't listened to it outside of my car in . . . 3 years? 4 years?  Weird.

I want to say that I got this CD way back in the back day when I listened to a lot of dyke rock (a little acoustic Ani, a little Melissa Ferrick, some . . . you know . . . Indigo Girls) but it's also totally possible that I picked it up from Hypatia's Ex (a person you can blame for most of my music) (not the Indigo Girls tho).  Who knows.  I do know that I saw them on their last tour and that was pretty great.

So - they're fun.  A little gritty.  13 tracks wrap up in just over 36 minutes.  You get in, you get out.  You have a fun time while you're there.  It's kind of great.

I've been packing all day.  I got nothing.

Favorite Track - "You're No Rock and Roll Fun" - totally awesome
Least Favorite - "The Swimmer" - the only really slow song on the album. Kinda boring.

Next up - Amethyst Rock Star - Saul Williams (2001) (and then we're all caught up and can go back to strict alphabetical listening!)

Saturday, May 8, 2010

The Listening Project - Apple O' - Deerhoof

Part 13 - Apple O' - Deerhoof (2003, Kill Rock Stars)

You know, I have absolutely no idea what I think about this one.  (To be truthful, another album I listened to while pretending to get back in shape, so, there you go)

On the one hand, it seems totally listenable, really fun (well, a little more laid-back than that) and maybe a little quirky.  On the other hand, I can't shake the sense that it's the sort of album that takes a lot of effort to listen to.  There are like melodies and harmonies and shit.  Weird.

I don't know if I've really talked about my musical laziness yet, but, I've got lazy ears.  Like, some of my favorite music ever is French Polyphony. It's just that touch more complex than chant, but without a. the douchiness and b. difficult instruments.  Also mid-nineties rock.  I am willing to bet you a dollar that absolutely no one ever broke a sweat over Inside Out, and yet, I love it.  Lazy ears.  Lazy, lazy ears.

So I think that's part of my ambivalence.  I also have never been a fan of high register voices, and the singer's voice has that high, kind of nasally quality that must make indie-music folk swoon, like ironically.  Not a huge fan.  In short, not an album I'd put on, but not one that I'd click over were the old iTunes on shuffle.

I feel so ambivalent about this, that I'm not going to do a favorite/least favorite.

Next up - All Hands on the Bad One - Sleater Kinney (2000) (I know it's out of alphabetical order, but, it's new to the iPod, and I love it, and didn't want to skip it.)

Sunday, May 2, 2010

The Listening Project - Apologies to the Queen Mary - Wolf Parade

(I finally got smart enough to just charge the ol' iPod and not sync it. Smarty-pants, this girl!)
Part 12 - Apologies to the Queen Mary - Wolf Parade (2005, Sub Pop)

This is, hands down, one of my favoritest ever albums.  For reals.  It's just fun, and beautiful, and exactly the sort of people-doing-interesting-things-with-music that I like.

I don't have a whole lot else to say about it, mostly because this is one of the albums that I, like, actually know, and so there is not a really fun "discovery" story behind it. Also because I listened to it while taking a run for the first time in longer than I'd like to admit.

I do know that the guitarist has the most kick-ass haircut ever, but that I can never find a picture of it, so I can never have that hair cut.  Which is sad.  As sad as the fact that it took me two months to figure out that I could just charge the ol' iPod and not sync it.  Which is something like tragic.



Favorite Track -" Dear Sons and Daughter of Hungry Ghosts "
Least Favorite - I simply refuse to pick a least favorite.

Next up - Apple O' - Deerhoof (2003)

Wednesday, January 13, 2010

The Listening Project - Antics - Interpol


Part 11 - Antics - Interpol (2004, Matador)

This album acts like a window into a different time for me.  Listening to it, inevitably, invariably, calls to mind the gym at EMU.  I can smell the equipment and sweat, I can feel the pull at arms and legs from working out (that's pure memory I assure you, Hypatia's Girl might be angry, but she's also hella outta shape).  That this music is so evocative of that particular place, that particular time is especially weird, because I could only have heard it on the radio or on those godforsaken MTVU channels at the gym. (Part of the memory is that creepy marionette music video).  Maybe I heard it once or twice while actually at the gym, however it is now inextricable from my memory of the gym.  Memory is endlessly weird.

It's kind of weird to listen to an album with such a particular memory, right now, because I'm currently working on some thoughts regarding cycles and spirals of time.  (I was also listening to Antics while driving up to EMU again . . .)

Given that the memory that this album recalls a relatively good memory, it's difficult for me not to like it.  Yes, each song sounds pretty much like every other song.  But that one song isn't half-bad.  (Although how quickly "Slow Hands" gets stuck in my head might be a mark against the whole album)

It's nice to know that I have music that holds memories that would otherwise be utterly unremarkable.

Favorite Track -"Length of Love" Just totally great.
Least Favorite - "Next Evil" didn't grab my attention at all.

next up - Apologies to the Queen Mary - Wolf Parade (2005)

Wednesday, January 6, 2010

The Listening Project - And Then Nothing Turned Itself Inside-Out - Yo La Tengo


Part 10 - And then nothing turned itself inside-out Yo La Tengo (2000, Matador)

(I know, I know, you're all like, zomg, Hypatia's Girl still has a blog? Weird, totally forgot about that.  Well I was busy, had to go be a mistress of philosophy and drive across PA.  You know, the state that gets in your way when you're trying to get someplace else?)
I'd anticipated not liking this album at all, and so was pleasantly surprised to find that the instinctive dislike for the album was a product in inherited distaste rather than any knowledgeable sort of disagreement.

It's not my favorite by any stretch of the imagination, but it's not a bad little album.  Owing to my suckiness at keeping up this blog I probably have listened to this album 3 times over the course of a couple of months, it goes better with sunshiny days when one is driving to a potentially awkward lunch than it does with the blah, gray barrenness of driving up US23 to restart a part of your life from a different perspective.

The beginning of the album didn't really catch me, a little too quiet and the vocals seemed a little superfluous.  However it really picks up in the middle rocking out some really great tracks (at least ones that fit my driving-up-US23 mood a little better) like "The Last Days of Disco" and the cover "You Can Have It All."  (I'd watch the video, it's kind of amazing) Of course, "rocking out" might be a sort of strong label for this.

Over all, a nice, mellow album, not necessarily something you play to listen attentively to all the way through, but a nice thing to have and pick up threads over the course of an hour or so.

Favorite Track - "The Last Days of Disco."  Just fun.
Least Favorite - "Everyday." It's the opening track and it just did nothing for me.

next up - Antics - Interpol (2004)

Saturday, November 7, 2009

The Listening Project - Amnesiac - Radiohead


Part 7 - Amnesiac - Radiohead (2001, Capitol Records)

I was going to say that I didn't know anyone who didn't love Radiohead (particularly those of my generation), however, I have found one person who doesn't like Radiohead.  I'm trying to be friends with him anyway.

My love of Radiohead notwithstanding, Amnesiac is a difficult album for me to write about.  Radiohead isn't an easy listening kind of band.  It has a winter-night kind of feel to it, mellow with an uncomfortable sort of drive forward to the sound.  I'm not really certain what more to say about it.  Hooray for Radiohead!

Favorite Track - "Dollars & Cents"
Least Favorite - "Pyramid Song" It just doesn't do it for me.

next up - Ancient Heart - Tanita Tikaram (1988)

Tuesday, October 27, 2009

The Listening Project - American Football - American Football


Part 6 - American Football - American Football (1998, Polyvinyl Record Company)

One of my concerns about doing this project is that there is a lot of music in my iTunes that I've never listened to.  That I, in fact, have no idea what it really is at all.  American Football was one of those bands, hanging out in my music library, a couple of songs had been nicked in shuffle-mode, but I had not a single clue what they sounded like.  But I kind of thought I didn't like them.

What's great about me, outside of my modesty, is I can admit a mistake (sometimes).  So I plug them in on my walk through the neighborhood to get to school last Wednesday (?!) and am greeted with the aural equivalent of the perfect fall day that was Wednesday morning.  Best. Fall. Album.  I love music that has a season, and American Football is fall in this really wonderful way.

Their sound is incredibly delicate and rich, like a really good creme brulee.  The way the melody weaves through guitar and vocals dapples like October sun through just-changed maple leaves.  This is a break-up album, but manages not to be maudlin or, worse, make me cry.  I liked it, in short, a helluva lot more than I expected.

Favorite Track - "I'll See You When We're Both Not So Emotional"
Least Favorite - "Stay Home" - it's a good song, but maybe not an 8 minute good song.

next up - Amnesiac - Radiohead (2001)

Wednesday, October 21, 2009

The Listening Project - Almost Killed Me - The Hold Steady


Part 5 - Almost Killed Me - The Hold Steady (2004, French Kiss Records)

The problem with having gone to the Pitchfork Music Festival 3 years in a row and not knowing jack about music is that I have a lot of false memories about who I saw, when.  I am positive that I saw the Hold Steady, but it might have been Oxford Collapse, or I might have meant to see them but saw someone else instead.

It's all very complicated.

At any rate, the Hold Steady is a good example of the paradox of my musical tastes.  For those of you listening along at home, you may have noticed that I really like unusual male voices. And Craig Finn has an unusual voice, a kind of strained talking-at-you-in-a-rhythm sound that, apparently, I really like.  And yet, cannot stand Tom Waits or Bob Dylan.  Weird, I know.  Almost Killed Me is not a very challenging listen.  It's a nice straight-forward album that doesn't try to be something it's not.  How nice.  It's the sort of album that makes for good listening when writing or doing other things.

Favorite Track - "Killer Parties"
Least Favorite - "Positive Jam" - dudes, I'm so over the "We Didn't Start the Fire" intros.

next up - American Football - American Football (1998).  Oooh, emo.

Wednesday, October 14, 2009

The Listening Project - Alligator - The National


Part 4 - Alligator - The National (2005, Beggars UK/Ada)

I found The National.  Which is cool because as the time I was dating that guy.  You know, the guy that knows all of the most obscure music, has seen all the bands, really likes Guided By Voices.  It was really intimidating to be that girl, you know, the one that doesn't know jack about music, last went to R.E.M.'s Monster concert, really likes wizard rock.  But The National, I found 'em in this record shop in Holland, MI.  And they're awesome.

Alligator is a good listen.  They aren't a fast sound, but a heavy one.  Even their sad songs (of which there are at least two on this album that I can't listen to with out tearing up, at least, but I'm a sap) have a weight to them.  Live they are surprisingly angry, but this album is a little gentler.

Favorite Track - toss up between "Daughters of the So-Ho Riots" and "Karen"
Least Favorite - Seriously, this is exactly the sort of music I love.  There are no least favorites here.

next up - Almost Killed Me - The Hold Steady (2004)

Thursday, October 8, 2009

The Listening Project - Aldhils Arboretum - Of Montreal


Part 3 - Aldhils Arboretum - Of Montreal (2002, Kindercore/Polyvinyl)

My love of Of Montreal may have bounds, but I've yet to really find those bounds. There is something great about a band that will cheerily sing about old people in cemeteries being sad.

I've also been able to catch them live twice, and it is a helluva show. I love Of Montreal live the same way I love Goths. Kevin Barnes, the lead singer, needs a lot of attention and is willing to do what it takes to get that attention. Luckily for those of us who long for a musical and performative heir to David Bowie's glam rockiness - a lot of that attention needing is found through chipper, chirpy music, filled with melody and art and a show that involves inflatable suits, jello, and Kevin stripping down to his Tim-Curry-Is-Dr.-Frank-N-Furter lingerie. It makes me so happy. Definitely what was called for on a day like today.

Favorite Track - "Kid Without Claws"
Least Favorite - I have no memories of "A Question for Emily Foreman"

next up - One of my favorites! Alligator - National (2005).